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APHRODISIAS
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                        A magnificent city of antiquity, Aphrodisias is situated on a plateau of 600 m. altitude on the side of Babadağ Mountain Range. It is approximately 230 km by land route to the southeast of İzmir; near the Geyre Village of Karacasu District, Aydın.

Ancient sources tell very little about Aphrodisias. According to Stephanos of Byzantium, the city was founded in the 13th century BC and was originally named Ninoe (rooting from the legendary king of Babylon, Ninos). The city had other names as well.

Aphrodisias, where rituals were held for the love and beauty goddess Aphrodite, was the leading architecture, art, sculpture and worship centre of antiquity. The scientific researches and archaeological excavations indicate that the first settlement in Aphrodisias was in 4000 BC, the Chalcolithic Ages. The positive knowledge dates back to the 11th century BC as recorded by the historian Appian. He writes that in this period Aphrodisias, together with the neighbouring city Plarasa (Bingeç), used to coin silver and bronze money. The most brilliant and developed era of Aphrodisias was in the Roman Period. The sculptors of Aphrodisias, producing sculptures and building elements of extraordinary beauty with the precious marbles they obtained from the quarries in the sides of Babadağ Mountain, established the Manierist School, known also as the Aphrodisias style. During the traditional Roman life and busy settling that lasted for about 500 years, a city full of gorgeous buildings aroused.

The adverse religious and political effects of the Byzantine Period impeded the progress of Aphrodisias and gradually the city lost all the glory. It was destroyed by fires, earthquakes, Sasani and Arab invasions; and was eventually abandoned.

The archaeological excavations and researches started in 1904. As from 1961, the works funded by the National Geographic Society in the name of New York University were carried under the chair of Prof. Kenan Erim until his death in 1990 and then by Prof. Roland Smith to our day. These excavations and researches revealed the important works and studies done in the city in the fields of architecture, sculpture, medicine, mathematics, astronomy and arts. The medical researcher Xenocrates, novelist Chartiton and philosopher Alexander are all from Aphrodisias.

The baths, agora, temple, stadium, amphitheatre of 10.000, city walls from the Roman – Byzantine periods, acropolis and the odeon are among buildings that have survived to present.

Aphrodisias, with the abundance and beauty of the well-preserved artefacts and with the museum on site which displays all the excavated objects, is the most precious cultural heritage that Aydın province has.

Very little information is found in historical records on Aphrodisias, which is on the southeast of Aydın and the northeast of the Caria region. The knowledge we have today is rather based on the excavations. The Byzantine historian Stephanus writes that the first name of the city, which was originally a Leleg-Pelasg settlement, was Lelegonpolis. The city developed and acquired the name Megalopolis. Then it was named as Ninoe, after the legendary king of Babylon, Ninos. This name was also found on a relief in Aphrodisias. The words “nino, nina, nin” in Akhad language also indicated the Goddess Ishtar, known also as Astarte or Astartia. Ishtar, which had governed even the Prophet Solomon, was the goddess of love in Babylon and Ninova; and she very much resembled Aphrodite. In fact, Aphrodisias was the Greek translation of Ninoe. This is considered a proof that the city was a very ancient worship centre for a Mother Goddess; a Caria settlement under the effect of eastern culture. The assumption of the Assyrians founding a worship place for Ishtar at a very far corner from Babylon is a very likely possibility. In the beginning of 2000 BC, the early period of the Hittites, there were many Assyrian colonies in Anatolia. In the Hellenistic period, it was a tradition to change the names of local gods and goddesses to their likes in the Greek mythology. Aphrodite of Aphrodisias actually has little in common with her Greek namesake. She rather resembles the Mother Goddess Kybele, who symbolises earth, underground and fertility in Anatolia. She in a way also resembles the Artemis of Ephesus.

The hill that the amphitheatre rests against is actually a tumulus, which had started forming before the 3000 BC. The excavations yielded sufficient evidence on the prehistoric cultures here even before the settlements of eski Tunç Age.

Historian Appolonios, who had come from Egypt in the 3rd century BC to write a book about Caria, is considered as Aphrodisian. The first account of Aphrodisias in historical records is with the Roman dictator Sulla sending a labrys and a golden crown to the city to abide the prophecy of the Delphor Oracle in 82 BC. Though somewhat exaggerated, the document mentions a large Caria city dedicated to the Goddess Aphrodite. Also coins with the name Aphrodisias printed on them are found.

In the first coins, the name of Aphrodisias comes after the name of the neighbouring city Plarasa (Bingeç). In the later-dated coins the name of Plarasa disappears. These prove that Aphrodisias was only a worship centre, just like Didim, at the beginning but then a settlement grew around it due to needs until one day Plarasa wore off from stage of history and Aphrodisias rose to the condition of a full city.

On an inscription found in Aphrodisias, two Aphrodisians are mentioned going to Rome in the 1st century BC on a mission to complain about the attitude of the tax collectors in the state. A senate decree sent by Marcus Antonius between the years 39-35 BC states that the sanctuary borders of the Aphrodisias Temple were extended to equal those of the Artemisium in Ephesus. At the amphitheatre excavations numerous emperor messages, most of which were about the granted privileges and immunities, were unearthed. The time of the Roman Empire was the golden era of Aphrodisias. An important centre for literature and arts, the city also developed in medicine and philosophy during this period. Furthermore, Aphrodisias was very well-known for sculpture school. The excavations revealed a sculpture atelier and many unfinished or half completed sculptures. The grey-blue marble used in the sculptures was obtained from quarries on the skirts of Babadağ Mountain, 2 km to the east of the city. This stone was processed on the spot as well as being exported to other cities in Anatolia, especially to those in Meander Valley, as half processed or as blocks to be used in sculpturing. Many beautiful sculptures in Rome and all over Italy and Greece were found to bear the signatures of the masters from Aphrodisias. It should also be expressed that the sculpture competition held at the Aphrodisias festival is unique to this city.

With the spread of Christianity and the empire accepting it as the official religion, the place was named Stavropolis (city of the Cross) in the Byzantine period to make the name of Aphrodite long forgotten. Yet the city was called Caria, the name of the region. The village built by the Turks on the ruins of the ancient city was named Geyre, possibly after Caria.

The ruins of Aphrodisias have been attracting the attention of western travellers since the beginning of the last century. Charles Texier and Laborde told about the ruins and also made sketches of them. In 1904-5, a French commission under the chair of Paul Gaudin conducted two short-term excavations here. In 1913, A. Boulanger had an attempt. In 1937, the Italian commission under Julio Jakopi also conducted excavations. The most productive excavations have been conducted since 1961 by the New York University under the chair of Prof. Kenan Erim (died 1990), also with the support of National Geographic Society. These excavations have unearthed many well preserved buildings as well as numerous exceptionally fine statues. Only some of these were placed in the special museum built in Aphrodisias.

The ancient city of Aphrodisias, covering an area of 520 hectares, was enclosed with a city wall of 3.5 km, which was built in the Roman period and restored in the Byzantine period. Architectural elements from earlier periods were used in the building and restoration of the wall. The land that the city was founded on was flat, except from the 15 metre high Acropolis hill, which was actually a prehistoric tumulus.

 

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